A review series about video games, movies, and theme parks from the Spazz Master.

暂无剧情简介

A biopic about a Soviet general V. Gorbatov.

For Ira Kolchina, everything is working out perfectly. The girlfriends are not in vain envious of her: Professor Fedorov himself offered yesterday's student work in his own clinic. Moreover, Irina will soon become a general daughter-in-law, will live in honor and affluence. But not everything came true, as dreamed. The main in the family is Izolda Genrikhovna, general. She sincerely believes that Irina should not forget about which family she was “taken” to, be thankful and behave accordingly ... Who will win in an unequal battle - a daughter-in-law or a mother-in-law?

This is the story of Óscar Naranjo and Colombia in recent decades, told from the point of view of those who did their best to maintain order and law against Pablo Escobar, paramilitarism, drug cartels and the FARC.

The performance of the Moscow Theater of Satire, based on the play by N.V. Gogol.

An officer poses as a general after the death of his commanding officer and inspires his troops to victory.

The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.

Primarily a biographical documentary about the military career of Alexander Vasilvich Suvorov, who was Field Marshal of the armies of Catherine the Great and Czar Paul I. After many military successes during the reign of Catherine, General Suvorov broke with her successor, Paul I, the Mad Emperor, over questions regarding army policy. He went into retirement and wrote "The Science of Victory," containing maxims such as "Swiftness of movement accompanies victory," and "the real general is he who defeats the enemy before reaching him." The czar recalled Suvorov to become the leader of the joint armies of Russia and Austria against Napoleon.

In Asamblea general (1960), the documentary about Fidel's address of the First Declaration of Havana in the Plaza of the Revolution, Alea practises what becomes a sustaining Cuban contribution to documentary. Engaging with Free Cinema and cinema-vérité, his camera seems to touch the faces of the new citizen one by one rather than as a single mass before a leader.